蝦碌情圣 蝦碌情聖 (1993)

 這部在歌舞片發(fā)展早期拍攝的影片，堪稱是當(dāng)時最為奢華的好萊塢巨制。影片由后來被譽為“爵士之王”的保羅·懷特曼領(lǐng)銜主演，還請到了一眾歌舞名手。片中的內(nèi)容取自百老匯的經(jīng)典演出，通過名家和管弦樂隊的出色演繹，為觀眾感受爵士年代風(fēng)情提供了一次珍貴的機會。影片在當(dāng)年獲得了奧斯卡最佳藝術(shù)指導(dǎo)獎。2013年，它還被美國國會圖書館列入國家電影目錄。

　　芮安·辛普金斯([布里斯比熊])、克洛伊·貝利(《成長不容易》)加盟，羅素·克勞主演的米拉麥克斯打造的超自然驚悚片[喬治城項目](The Georgetown Project，暫譯)。約書亞·約翰·米勒、M·A·福廷自編自導(dǎo)。克勞將飾演陷入困境的演員安東尼·米勒，他在拍攝一部恐怖片的時候，開始變得不安。與他疏遠(yuǎn)的女兒(芮安飾)想知道他是不是再次毒癮發(fā)作，還是遭遇了什么邪惡的東西。克洛伊飾演這部恐怖片中的女演員。影片目前在華盛頓拍攝中。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

印度頂級間諜阿吉特·多瓦爾（Ajit Doval）在敵方領(lǐng)土上臥底，冒著一切風(fēng)險收集情報并防止重大危機，鞏固了他作為“印度詹姆斯·邦德”的遺產(chǎn)。